000 | 03581nam a2200505 i 4500 | ||
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001 | 6731149 | ||
003 | IEEE | ||
005 | 20220712204819.0 | ||
006 | m o d | ||
007 | cr |n||||||||| | ||
008 | 151223s2013 mau ob 001 eng d | ||
020 |
_z9780262019514 _qprint |
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020 |
_a9780262318914 _qe-book |
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035 | _a(CaBNVSL)mat06731149 | ||
035 | _a(IDAMS)0b00006482031490 | ||
040 |
_aCaBNVSL _beng _erda _cCaBNVSL _dCaBNVSL |
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050 | 4 |
_aN72.M3 _bS53 2013eb |
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082 | 0 | 4 |
_a701/.51 _223 |
100 | 1 |
_aSha, Xin Wei, _eauthor. _924219 |
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245 | 1 | 0 |
_aPoiesis and enchantment in topological matter / _cSha Xin Wei. |
264 | 1 |
_aCambridge, Massachusetts : _bMIT Press, _c[2013] |
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264 | 1 |
_a _b, _c2013 |
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264 | 2 |
_a[Piscataqay, New Jersey] : _bIEEE Xplore, _c[2013] |
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300 | _a1 PDF (384 pages). | ||
336 |
_atext _2rdacontent |
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337 |
_aelectronic _2isbdmedia |
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338 |
_aonline resource _2rdacarrier |
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504 | _aIncludes bibliographical references. | ||
505 | 0 | _aIntroduction: why this book? -- From technologies of representation to technologies of performance -- Performance in responsive environments, the performative event -- Substrate -- Morphogenesis -- Topology, manifolds, dynamical systems, measure, and bundles -- Practices: apparatus and atelier -- Effects. | |
506 | 1 | _aRestricted to subscribers or individual electronic text purchasers. | |
520 | _aIn this challenging but exhilarating work, Sha Xin Wei argues for an approach to materiality inspired by continuous mathematics and process philosophy. Investigating the implications of such an approach to media and matter in the concrete setting of installation- or event-based art and technology, Sha maps a genealogy of topological media -- that is, of an articulation of continuous matter that relinquishes a priori objects, subjects, and egos and yet constitutes value and novelty. Doing so, he explores the ethico-aesthetic consequences of topologically creating performative events and computational media. Sha's interdisciplinary investigation is informed by thinkers ranging from Heraclitus to Alfred North Whitehead to Gilbert Simondon to Alain Badiou to Donna Haraway to Gilles Deleuze and F�lix Guattari.Sha traces the critical turn from representation to performance, citing a series of installation-events envisioned and built over the past decade. His analysis offers a fresh way to conceive and articulate interactive materials of new media, one inspired by continuity, field, and philosophy of process. Sha explores the implications of this for philosophy and social studies of technology and science relevant to the creation of research and art. Weaving together philosophy, aesthetics, critical theory, mathematics, and media studies, he shows how thinking about the world in terms of continuity and process can be informed by computational technologies, and what such thinking implies for emerging art and technology. | ||
530 | _aAlso available in print. | ||
538 | _aMode of access: World Wide Web | ||
588 | _aDescription based on PDF viewed 12/23/2015. | ||
650 | 0 |
_aArt _xMathematics. _924220 |
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650 | 0 |
_aNew media art. _924221 |
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650 | 0 |
_aTopology. _913470 |
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655 | 0 |
_aElectronic books. _93294 |
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655 | 6 |
_aLivres �electroniques. _924222 |
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710 | 2 |
_aIEEE Xplore (Online Service), _edistributor. _924223 |
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710 | 2 |
_aMIT Press, _epublisher. _924224 |
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776 | 0 | 8 |
_iPrint version _z9780262019514 |
856 | 4 | 2 |
_3Abstract with links to resource _uhttps://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=6731149 |
942 | _cEBK | ||
999 |
_c73352 _d73352 |