000 03417nam a2200481 i 4500
001 6276822
003 IEEE
005 20220712204741.0
006 m o d
007 cr |n|||||||||
008 151229s1995 maua ob 001 eng d
010 _z 94009631 (print)
020 _a9780262291163
_qelectronic
020 _z9780262581431
_qprint
020 _z0262082284
_qprint
035 _a(CaBNVSL)mat06276822
035 _a(IDAMS)0b000064818c1f1a
040 _aCaBNVSL
_beng
_erda
_cCaBNVSL
_dCaBNVSL
050 4 _aQA76
_b.H6234 1994eb
082 0 0 _a001.3/0285
_220
100 1 _aHoltzman, Steven R.,
_eauthor.
_923485
245 1 0 _aDigital mantras :
_bthe languages of abstract and virtual worlds /
_cSteven R. Holtzman.
264 1 _aCambridge, Massachusetts :
_bMIT Press,
_cc1994.
264 2 _a[Piscataqay, New Jersey] :
_bIEEE Xplore,
_c[1995]
300 _a1 PDF (x, 321 pages) :
_billustrations (some color).
336 _atext
_2rdacontent
337 _aelectronic
_2isbdmedia
338 _aonline resource
_2rdacarrier
504 _aIncludes bibliographical references p. ([311]-315) and index.
506 1 _aRestricted to subscribers or individual electronic text purchasers.
520 _aComputer technology is making possible new worlds of expression that are already being explored by a growing subculture of artists, musicians, virtual reality enthusiasts, and cyberpunks. In Digital Mantras, Steven Holtzman synthesizes ideas from a number of different disciplines to arrive at a new philosophy of creativity for the digital age.Blending ideas from music, computing, art, and philosophy, with biographical and historical anecdotes and a thread of mysticism, Holtzman gives us new ways to think about the integration of computers into the creative process. He shows how computers will change the way we create, and reveals the exciting potential for entirely new forms of expression. Running throughout the book are episodes from Holtzman's own sometimes mystical journey in search of the personal aesthetic he presents.Holtzman explores the presence and use of structure in fields as diverse as the development of ancient human languages, the philosophy of the Buddhist monk Nagarjuna and the linguist Ferdinand de Saussure, the music of Arnold Schoenberg and Anton Webern, the paintings of Wassily Kandinsky, and the pioneering grammars of Panini and Noam Chomsky. He then turns to the use of computers for building abstract and virtual worlds in language, music, and art as well as virtual reality, and surveys the work of AI pioneer Terry Winograd, composers Gottfried Michael Koenig and Iannis Xenakis, and artist Harold Cohen. Holtzman concludes by discussing the aesthetic implications of these new worlds. He introduces the concept of digital expression, along with examples that hint at its far-reaching possibilities.
530 _aAlso available in print.
538 _aMode of access: World Wide Web
588 _aDescription based on PDF viewed 12/29/2015.
650 0 _aComputers.
_98172
650 0 _aVirtual reality.
_95677
655 0 _aElectronic books.
_93294
710 2 _aIEEE Xplore (Online Service),
_edistributor.
_923486
710 2 _aMIT Press,
_epublisher.
_923487
776 0 8 _iPrint version:
_z9780262581431
856 4 2 _3Abstract with links to resource
_uhttps://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=6276822
942 _cEBK
999 _c73219
_d73219