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001 978-3-319-04510-8
003 DE-He213
005 20200421112039.0
007 cr nn 008mamaa
008 140328s2014 gw | s |||| 0|eng d
020 _a9783319045108
_9978-3-319-04510-8
024 7 _a10.1007/978-3-319-04510-8
_2doi
050 4 _aQA76.9.U83
050 4 _aQA76.9.H85
072 7 _aUYZG
_2bicssc
072 7 _aCOM070000
_2bisacsh
082 0 4 _a005.437
_223
082 0 4 _a4.019
_223
245 1 0 _aInteractive Experience in the Digital Age
_h[electronic resource] :
_bEvaluating New Art Practice /
_cedited by Linda Candy, Sam Ferguson.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Springer,
_c2014.
300 _aXII, 267 p. 51 illus., 46 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aSpringer Series on Cultural Computing,
_x2195-9056
505 0 _aList of Contributors.- Interactive Experience and Evaluation in Practice Linda Candy and Sam Ferguson.- Human Computer Interaction, Experience and Art Ernest Edmonds -- Evaluation and Experience in Art Linda Candy.- Keeping Research in Tune with Practice Andrew Johnson.- IInteractive Art, Autonomy and Evaluation Scott Simon.- The Machine as Autonomous Performer Oliver Brown, Petra Gemeinboeck and Rob Saunders.- Intimate Aesthetics and Facilitated Interaction Lian Loke and George Poonkhin Khut.- The Network Unveiled: Evaluating Intercultural Musical Interaction Roger Mills and Kirsty Beilharz.- Mutual Engagement in Digitally Mediated Public Art Nick Bryan-Kinns.- The Role of Emotions in Art Evaluation Chek Tien Tan and Sam Ferguson.- Blending Art Events and HCI Research Derek Reilly, Fanny Chevalier and Dustin Freeman.- In the Wild: Evaluating Collaborative Interactive Musical Experiences in Public Settings Ben Bengler and Nick Bryan Kinns.- Evaluation in Public Art: The Light Logic Exhibition Ximena Alarcon-Diaz, Kira Askaroff, Linda Candy, Ernest Edmonds, Jane Faram and Gill Hobson.- Experience and Evaluation in the Collective Creation of a Public Digital Exhibition Stephen Barras and Anna Luisa Sanchez Laws.-Curating Digital Public Art Deborah Turnbull and Matthew Connell.- Digital Arts Entrepreneurship: Evaluating Performative Interaction Jennifer G. Sheridan -- Index.
520 _aThe use of interactive technology in the arts has changed the audience from viewer to participant and in doing so is transforming the nature of experience. From visual and sound art to performance and gaming, the boundaries of what is possible for creation, curating, production and distribution are continually extending. As a consequence, we need to reconsider the way in which these practices are evaluated.   Interactive Experience in the Digital Age explores diverse ways of creating and evaluating interactive digital art through the eyes of the practitioners who are embedding evaluation in their creative process as a way of revealing and enhancing their practice. It draws on research methods from other disciplines such as interaction design, human-computer interaction and practice-based research, and adapts them to develop new strategies and techniques for how we reflect upon and assess value in the creation and experience of interactive art.   With contributions from artists, scientists, curators, entrepreneurs and designers engaged in the creative arts, this book is an invaluable resource for both researchers and practitioners, working in this emerging field.
650 0 _aComputer science.
650 0 _aFine arts.
650 0 _aUser interfaces (Computer systems).
650 0 _aApplication software.
650 0 _aCommunication.
650 0 _aSociology.
650 0 _aMass media.
650 1 4 _aComputer Science.
650 2 4 _aUser Interfaces and Human Computer Interaction.
650 2 4 _aComputer Appl. in Arts and Humanities.
650 2 4 _aMedia Research.
650 2 4 _aFine Arts.
700 1 _aCandy, Linda.
_eeditor.
700 1 _aFerguson, Sam.
_eeditor.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer eBooks
776 0 8 _iPrinted edition:
_z9783319045092
830 0 _aSpringer Series on Cultural Computing,
_x2195-9056
856 4 0 _uhttp://dx.doi.org/10.1007/978-3-319-04510-8
912 _aZDB-2-SCS
942 _cEBK
999 _c56554
_d56554