From Sounds to Music and Emotions (Record no. 57267)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 05380nam a22006255i 4500 |
| 001 - CONTROL NUMBER | |
| control field | 978-3-642-41248-6 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20200421112052.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 130912s2013 gw | s |||| 0|eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| ISBN | 9783642412486 |
| -- | 978-3-642-41248-6 |
| 082 04 - CLASSIFICATION NUMBER | |
| Call Number | 025.04 |
| 245 10 - TITLE STATEMENT | |
| Title | From Sounds to Music and Emotions |
| Sub Title | 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised Selected Papers / |
| 300 ## - PHYSICAL DESCRIPTION | |
| Number of Pages | XIV, 502 p. 159 illus. |
| 490 1# - SERIES STATEMENT | |
| Series statement | Lecture Notes in Computer Science, |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Remark 2 | The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to Music -- Emotion in Motion: A Study of Music and Affective Response -- Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates -- Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of Sound Source Attributes -- Perceptual Characteristic and Compression Research in 3D Audio Technology -- Intuitive Control of Rolling Sound Synthesis -- EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data -- Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds -- Auditory Sketches: Sparse Representations of Sounds Based on Perceptual -- The Role of Time in Music Emotion Recognition: Modeling Musical Emotions from Time-Varying Music Features -- The Intervalgram: An Audio Feature for Large-Scale Cover-Song -- Perceptual Dimensions of Short Audio Clips and Corresponding Timbre Features -- Music Emotion Recognition: From Content-to Context-Based Models -- Predictive Modeling of Expressed Emotions in Music Using Pairwise Comparisons -- Analyzing the Perceptual Salience of Audio Features for Musical Emotion Recognition -- Sample Identification in Hip Hop Music -- Music Similarity Evaluation Using the Variogram for MFCC -- Automatic String Detection for Bass Guitar and Electric Guitar -- Using Oracle Analysis for Decomposition-Based Automatic Music Transcription -- The Influence of Music on the Emotional Interpretation of Visual Contexts: Designing Interactive Multimedia Tools for Psychological Research -- The Perception of Auditory-Visual Looming in Film -- Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-Structural Similarity Based on Time-Span Tree -- Subject and Counter Subject Detection for Analysis of the Well-Tempered Clavier Fugues -- Market-Based Control in Interactive Music Environments -- (Re)Shaping Musical Gesture: Modelling Voice Balance and Overall Dynamics Contour -- Multimodal Analysis of Piano Performances Portraying Different Emotions -- Focal Impulses and Expressiv Performance -- Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | This book constitutes the thoroughly refereed post-conference proceedings of the 9th International Symposium on Computer Music Modeling and Retrieval, CMMR 2012, held in London, UK, in June 2012. The 28 revised full papers presented were carefully reviewed and selected for inclusion in this volume. The papers have been organized in the following topical sections: music emotion analysis; 3D audio and sound synthesis; computer models of music perception and cognition; music emotion recognition; music information retrieval; film soundtrack and music recommendation; and computational musicology and music education. The volume also includes selected papers from the Cross-Disciplinary Perspectives on Expressive Performance Workshop held within the framework of CMMR 2012. |
| 700 1# - AUTHOR 2 | |
| Author 2 | Aramaki, Mitsuko. |
| 700 1# - AUTHOR 2 | |
| Author 2 | Barthet, Mathieu. |
| 700 1# - AUTHOR 2 | |
| Author 2 | Kronland-Martinet, Richard. |
| 700 1# - AUTHOR 2 | |
| Author 2 | Ystad, S�lvi. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | http://dx.doi.org/10.1007/978-3-642-41248-6 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | eBooks |
| 264 #1 - | |
| -- | Berlin, Heidelberg : |
| -- | Springer Berlin Heidelberg : |
| -- | Imprint: Springer, |
| -- | 2013. |
| 336 ## - | |
| -- | text |
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| -- | computer |
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| -- | rdamedia |
| 338 ## - | |
| -- | online resource |
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| 347 ## - | |
| -- | text file |
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| -- | rda |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Computer science. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Music. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Special purpose computers. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Information storage and retrieval. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Multimedia information systems. |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | User interfaces (Computer systems). |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Application software. |
| 650 14 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Computer Science. |
| 650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Information Storage and Retrieval. |
| 650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Music. |
| 650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Multimedia Information Systems. |
| 650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Computer Appl. in Arts and Humanities. |
| 650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | User Interfaces and Human Computer Interaction. |
| 650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Special Purpose and Application-Based Systems. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| -- | 0302-9743 ; |
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| -- | ZDB-2-SCS |
| 912 ## - | |
| -- | ZDB-2-LNC |
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